Abstract
THE earliest direct evidence as to the methods of mediaeval glass-painting is contained in the treatise of Theophilusv (“Diversarum Artium Schedula”), which dates back in all probability to the latter half of the twelfth century; here one finds detailed instructions for the making of the glass as well as for its formation into the flat sheets or “tables” in which it is required by the glass-painter.
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Production and Decay of Mediæval Stained Glass 1 . Nature 76, 19–21 (1907). https://doi.org/10.1038/076019b0
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DOI: https://doi.org/10.1038/076019b0